Inuyasha Manga: 300 The Opened Gateway

The big three-zero-zero! We're a bit past the halfway point for this manga, but this is the moment I really FEEL that I'm over the hump. It's a little bit of a mean way to put that, especially because I am thoroughly enjoying myself rereading one of my favorite stories, but it's undeniable that the thing is being stretched at this point. This blog is already going on nine years and I'm afraid I'm going to need another nine years after that to get to the end of it! Dammit Inuyasha, why did you have to be popular enough that publishers and editors kept pushing for you to extend beyond a natural expiration date?

Must be how pretty you are. Impressive color on the opening of this one for the milestone.

When Mr. Ponytail deadpans that Inuyasha should become one of the dead by his and Mr. Man-bun's hands, Inuyasha scoffs that these guys are simpletons who have only one idea in their dense rock brains. He leaps up and out of the way of another blow from a spear, and while Mr. Ponytail is still bent over from lunging for the stab, Inuyasha jumps down on his neck, Tessaiga raised over his head. He brings it down on Mr. Ponytail's back, but the sword just sings and vibrates from the violent contact, and Inuyasha silently curses, complaining that the stone man didn't even chip.

Mr. Man-bun's crescent spear speeds at him out of his periphery.

Don't you just LOVE it when getting your ass kicked is a spectator sport?

Mr. Ponytail is upright again, and says they told him before, setting it up for Mr. Man-bun to repeat that they cannot be cut by weapons of the living world. Louder for the ones in the back, please! Meanwhile, Inuyasha's still getting pressed into the rock wall behind him, the only thing keeping him from getting sliced in half by the crescent spear being the width of Tessaiga. Very concerning. He groans out a curse.

Miroku is already standing ahead of the rest of the gang and ripping the beads off his Kazaana, suggesting this might work where a sword won't.

Not a half-bad idea, I guess. But mostly what Miroku gets are the stone skulls and other rocks lying strewn in the cave, and Gozu and Mezu look around at him with a kind of annoyed glare as he struggles to vacuum everything AROUND them up. Mr. Ponytail turns and thrusts his spear down at Miroku, who has to leap back to avoid it, stumbling but still holding out his Kazaana. Mr. Ponytail asks Miroku is HE wants to pass the gateway as well, not looking the least bothered by the force sucking in the rest of the cave's contents. The girls and Shippou are in shocked disbelief that the Kazaana isn't working either, because it's track record has never been... disappointing at all, lol. 

While the power of Miroku's Kazaana pulls at him from behind Mr. Man-bun's crescent blade, he seems to get an epiphany, and encourages Miroku to keep the Kazaana open just like he has it, pushing off from the wall with his feet. 

Mr. Ponytail's going down again, face first. Miroku wraps the sealing beads back around his fist to close up the Kazaana, AGAIN wondering if the giant stone man impervious to harm from mortal weapons has been got. Dude, have you been paying NO attention this whole time??? Kagome runs forward now that the Kazaana is closed, yelling Inuyasha's name in concern. Inuyasha admits that he just knocked Mr. Ponytail down, and cringes backward when a giant elbow raises and Mr. Ponytail starts to push himself back up. Inuyasha sweatdrops over the fact that he can't even do much damage using the force of the Kazaana. 

Myouga hops back onto Inuyasha's shoulder, calling his name, and Inuyasha expresses some more surprise that Myouga hasn't already disappeared from this dangerous situation yet. Myouga brushes past the insult to his character (as a genuine coward, mind you), and tells him in no uncertain terms that he has to return Gozu and Mezu to their inanimate states, which will only happen once the gate has opened and closed again. He says it's a long shot, but...

But why would it not ALSO be impervious to tools from the mortal world? Seems like that would be a MASSIVE oversight...

With this hot tip dropped, Myouga hops in the opposite direction, calling in his wake that he's off for sure now, Inuyasha and Miroku looking over their shoulders at him with minimal exasperation. Running is, after all, what Myouga does, so when Miroku points out this fact, there's no amazement or disbelief attached to it. 

Meanwhile, Gozu and Mezu are stomping towards them once again, slow but steady. Inuyasha admits Myouga is right, and that breaking the chain across the closed gate seems like the best course of action, and it would be killing two birds with one stone. Or, two stones with one... sword aimed at an entirely different target? Doesn't translate well.

Tessaiga pulses and changes color - Inuyasha calling for the barrier-breaking RED Tessaiga to help him out with this. He swings with a yell, aiming right between the oncoming moving statues, and the attack strikes the rattling chains on the door in crackling energetic conflict. 

Inuyasha barely has enough time to marvel at the fact that he performed this feat with somewhat low effort when he has to leap out of the way of a couple crescent wind blades aimed at him. That's right, our girl Kagura is flying in with an army of minor youkai, congratulating Inuyasha on his nice work and declaring she's going in ahead of him. Inuyasha barks at her in a rage, demanding this bitch fucking WAIT. Inuyasha will NOT tolerate doing all the work and having someone else reap the benefits, even though it was pretty obvious this was where all this was heading. 

As the demon horde approaches the newly unchained doors, they begin to glow. Suspiciously.

Yeah, this is probz a bad sign.

So, what did I think of this chapter overall? I love that Hakudoushi's plan was to literally race Inuyasha and company to the open door, lol! This is the level of evil genius we're dealing with here, and it's glorious in the most underwhelming way. Speaking of underwhelming genius, I do find the solution to getting Gozu and Mezu to stop attacking a little on the contrived side. On its face it seems somewhat clever, until you start to wonder with the chain across the doors wouldn't ALSO be impervious to mortal weapons. It just strikes me as odd that the chain is... a regular chain, especially when we know that there are youkai who can create enchanted items that can entirely bypass Gozu and Mezu in the first place. What use ARE Gozu and Mezu if it's this easy to just trick them into turning to stone again??

But it's pretty funny that Myouga hung around in the midst of danger JUST long enough to give Inuyasha this sweet hack for opening the door, and THEN bailed. I can't tell if he's capable of actually being brave enough to stick out the whole battle and is trolling Inuyasha and crew, or if he's magically compelled to give out advice to Inuyasha as a condition of being a vassal and HAS to stay until he can be of some use. I feel like if he COULD have left before he was helpful he WOULD have, given how he's been characterized thus far, so I'm leaning toward the latter, but either way is a little amusing. If he actually can resist the urge to run and just doesn't, that could be interpreted as a SAVAGE insult, lol.

And Miroku's Kazaana continuing to be more toothless than you would THINK it could so our heroes don't fuck up the line between life and death too badly. Writing that level of order disruption would probably require a bit more world-building than RT can commit to.

Inuyasha Manga: 299 Guards of the Gateway

Great, can't wait for the pop quiz on the landscape and inner workings of the borderlands between two worlds. If these gatekeepers are anything like the ones I've had to deal with, they'll be asking anyone looking to get through who the ten millionth youkai to come through was, and where all the hidden easter eggs are in the skeleton campaign. All in a condescending tone, too. And the moment Inuyasha questions what the point of all this checking and re-checking his credentials for belonging are, the guards will inevitably start browbeating him about how he's not a REAL dedicated visitor of the graveyard or some such junk. 

Inuyasha and crew has my highest empathy in this one; the number of gatekeeping assholes I've had to interact with in this very fandom alone is ASTOUNDING. 

Ah, has RT remembered Inuyasha has a super nose again? I feel lucky today!

Sango notes nervously that there are Saimyoushou flying in their periphery, and Inuyasha scoffs that he's betting they're there to make sure they make it to that fire country they're heading towards. Miroku says they seem to be guiding them to the gateway to the borderline between this world and the next, judging by how they're acting. You know, being behind and off to the side of them and all. That's definitely how you LEAD people where you want them to go and everything. Then again, they could be herding our protagonists like cattle to the slaughterhouse. Either way, Kagome agrees with Miroku, but she's wondering if the reason Hakudoushi went out of his way to invite Inuyasha to the gateway means that his power isn't enough to get through himself. 

I don't know, I think I'd bet on my "herding to the slaughterhouse" interpretation.

Once the group reaches a cluster of what looks like fuming volcanoes, the Saimyoushou appear to have taken the lead they need to, and are diving down over a particular crater vent. Sango says they're heading down, but I hope it's not INTO that volcano. Not really sure how they'd be able to stand the heat of that one. Thankfully, the wasps coast over a flat, craggy landscape beyond that.

Inuyasha and crew follow them under this overhang on foot, Inuyasha and Miroku peering down into a crack that the Saimyoushou disappeared down into. Miroku trails in the assessment that they're meant to go underground, and Inuyasha observes that it sure looks like an entrance to a grave. Well, isn't that where you're SUPPOSED to be headed, genius?

A VERTICAL narrow blank transition panel, just to switch it up a bit, I suppose. Hakudoushi sits on the end of a rocky cliff, raising his arm to greet a Saimyoushou that could rival his own size, Kagura standing behind him at a distance. The giant wasp hovers over his arm as he turns to Kagura and tells her that Inuyasha's party has safely reached the entrance to the gateway. Kagura asks if he's SURE about letting them go ahead, because there's supposed to be a Sikon shard on the other side of it and all. Hakudoushi assures her that HE'LL be the one to snag that fragment first, of course, but he's clearly enjoying holding his superior knowledge of the situation over her head, so doesn't explain how that's supposed to happen. 

But Hakudoushi DOES say he has work for her to do for that end. Kagura comments on how much he's like Naraku, getting the best bits for himself in the end, and he just kind of smirks about it. 

Well how do you think your massive DAD got through there?

Wait, that sounded... Just get your mind out of the gutter, okay?? There's not enough room for both of us down here!

Shippou stutters out Kagome's name, looking with worry down from her back. She asks him what it is, and he points out that the rocks on the ground look like youkai faces/heads. She affirms his concerning observation, and adds that these strange rocks seem to be getting all the more numerous the farther they get into the cave. Inuyasha suggests they're just part of the path, like paving to indicate the way, which is... a generous interpretation, if I'm being nice.

He declares they've arrived.

This is somewhat ominous.

A view of the chained doors is shown, as well as a close-up of the left-hand giant statue. Miroku is in awe of the scene, trailing in a no doubt inadequate statement about what it is. Kagome is just expressing amazement at the fact that it's a literal gateway they found here. Inuyasha scoffs while drawing Tessaiga, sarcastically talking about how nice it is that this is an easy, straightforward task, with not ONE guard of the place to get in his way. Holding Tessaiga out in front of him, he tells everyone to stand back, planning to break down the door with Kaze no Kizu. 

A voice out of the ether asks if he wants to pass. Inuyasha's friends are surprised, Shippou stuttering in disbelief that there's someone there. 

Sounds like a trick question to me.

Myouga insists that Inuyasha NOT answer this question, jumping up and down on Inuyasha's shoulder in agitation while Inuyasha says his name in disbelief. From Kagome's shoulder, Shippou expresses amazement that Myouga came with them at all, Kagome admitting that she thought he was LONG GONE by now. The shade they are throwing is FIERCE. Myouga ignores it, though, and declares they're all running away now, telling Inuyasha that it's not too late for them to retreat specifically. Inuyasha scoffs that Myouga MUST be dreaming. 

Again, the question of whether they want to pass or do NOT want to pass is repeated. Inuyasha blurts that OF COURSE they want to pass, that being the whole reason they came all this way. The voice cordially invites him to TRY to pass, then, and left-hand statue's eyes suddenly come to life, swiveling over to lock onto the intruding group. Kagome and Shippou cringe, the former only getting out a terrified half-statement about the statue's newly revealed sight. A pair of cracking stone feet are shown to start pulling away from their posts at the side of the door. 

Thanks to our translator for the little note on the bottom of the page, although I'm not sure it matters much which statue is which. All I really care about here is the fact that Inuyasha's response to them becoming fully animated is hilariously lackluster. His face says pure astonishment, but his words say, "huh, what do you know?" LOL!

Mr. Man-bun says that this is a door where only the dead may pass, and Mr. Ponytail follows up with the statement that those who wish to pass will be killed by them so their state of being is all right and proper and all that. Not too far off from the figurative gatekeeping I was talking about before after all. Sango and Miroku appear quite perturbed by this news, but Inuyasha just lets out another signature scoff. He says he knows why that brat Hakudoushi invited them there now, if the gate guards have to be dead for them to pass. Haha, Inuyasha, buddy, I don't think you've really understood what's being proposed here. 

To start, how do you think you're going to kill a couple of STONES???

In his eagerness or ignorance, he lunges toward the giant statues with Tessaiga drawn and raised over his shoulder, saying he has no intention of withdrawing from the fight he's started. Both statues jab at him with their spears, and he easily dodges the points as they pierce the ground where he stood. Inuyasha evaluates their movements sluggish from those huge bodies, so he seems pretty confident that he's got the upper hand here. 

Something tells me that's not going to be enough... Though Miroku and the others definitely dare to suggest otherwise out of pure hope. 

But the smoke clears to show the door isn't open, and the statues get back to their feet again, damn near unscratched. Inuyasha is in disbelief that Kaze no Kizu didn't work. Mr. Ponytail tells him that it's futile, because they can't be slain by a weapon from the living world, which elicits a groan from Inuyasha, gritting his teeth in frustration. Miroku repeats the phrase they used about their inability to die by a weapon of this world in the form of a question, and Myouga, who has hopped on over to Kagome now, explains that it's because Gozu and Mezu aren't from this world, and Tessaiga is a weapon to mow down the youkai from their current LIVING world. Kagome stutters as she asks HOW these guys can be defeated then, Myouga answering that Gozu and Mezu don't stop moving until the gateway to the graveyard has been opened and closed again, so...

Oh, I GET IT! Do you want to pass? As in, AWAY? 

It took entirely too long for me to notice that wordplay. Yikes.

Inuyasha hasn't picked up on it either, and internally curses, complaining that there's no point in him passing unless he's alive. Back outside the gateway chamber, past the smoking mountains of the fire country, Hakudoushi is still lounging and drawling at Kagura standing her comfortable distance behind him. He says that to pass the gateway between the worlds, one must fight the guards Gozu and Mezu, which Inuyasha is fighting in his place about now. 

The way most everybody gets through there, no doubt.

So, what did I think of this chapter overall? The designs for Gozu and Mezu are interesting, and the design of their armor is keeping me guessing. I'm wondering what those almond and circle shapes are inlaid into them - are they supposed to be ethereal eyes or gems or something? And the wavy, undulating way it goes over one half of their torso leaving the other side bare is a strange aesthetic to display. They don't really need armor, considering they are impervious to any weapons that are from the living world, so it has to be purely decorative anyway, but I'm not able to discern what significance the decoration has, if any. 

Also, the toga-like one-shoulder pauldron is reminding me a little of Sesshoumaru, but I can't say I'm much surprised by that. Seems like a kind of obvious visual link.

Giant moving statues trying to kill the protagonists always being legitimately spooky aside, it is a very awful predicament Inuyasha has gotten himself and his companions into. This isn't an enemy he can just hit with its sword until it stops moving. They essentially just keep coming at him until HE stops moving. A very unstoppable force meets unmovable object kind of problem. This will require some creative thinking here, so RT might have to set aside her characterization of Inuyasha as a nitwit to help move along the situation, if she's not planning on giving that job to Miroku, who's become a bit dumb lately too. 

But to be honest, it's been a while since I've read this arc, I don't really remember what happened... Probably a good thing.

Inuyasha Manga: 298 Jewel Wizard (Housenki)

There's a rock shop near my house that creates some pretty interesting pieces of jewelry from their stones. Some spiral rings and wire-wrap pendants that are intricate and fun. They also stock a number of cute pagan and witchy products that center around gem magic, so this all paints an overall enchanted picture when you walk inside. I like to think of this place belonging to a jewel wizard too, but I very much doubt I could find anything in there that would take me to a border between the worlds. 

But Inuyasha has the benefit of knowing through experience that this thing is possible, and is perhaps on his way to a shop like the one near me? He's riding on the flying transformed Kirara's back by himself on the title page.

I thought the guy who lived here just made swords, but I suppose it's a good place to start looking for a jeweler. 

Inuyasha charges in there, demanding to know if Toutousai is there, finding him sitting with a blade in a pair of tongs, and lick of fire issuing from his mouth as he asks what this visit is about all of a sudden. Inuyasha starts patting Toutousai down, snapping that he has no business with THIS old man - he's actually looking for Myouga the flea. Toutousai comments about how rude Inuyasha is, as per usual. 

When Myouga appears, it's on the tip of Inuyasha's nose, and he wastes no time taking a drink from it. Once he's finished, he says Inuyasha must be in some trouble to go out of his way to this place. Inuyasha face-palms for the singular purpose of flattening Myouga, even though he claps himself good in the mug. 

This must have settled their score, as the next panel shows Myouga sitting on Inuyasha's finger asking for clarification that Inuyasha wants to visit his father's grave. Inuyasha tells Myouga to show him the way there, since there's something he has to make sure of. Myouga seems dissatisfied with this vague reason for the visit, asking if that's all Inuyasha can say.

Meanwhile:

She describes the odd portal that opened in front of them that connected to the grave, but the black pearl disappeared the moment they got back to the world of the living. I suppose RT is STILL not willing to elaborate on the method for them getting back, huh? Didn't have enough time to think of it in a couple hundred chapters? Okay. 

Anyway, we're back to Inuyasha interrogating Myouga, accusing him of trying to keep that black pearl he needs hidden, after a question of what happened to it. Myouga asks how Inuyasha can bad-mouth him like that, while Toutousai looks on like he could use some popcorn. Myouga explains haughtily that the black pearl completed its purpose of letting Inuyasha through, and therefore disappeared. Inuyasha repeats this proclamation as another question, just to make sure I guess, and Myouga affirms this with certainty. 

Toutousai interjects with his own question about WHY Inuyasha is so interested in going to pay his respects now. Inuyasha scoffs and says that's not what he wants to do, and presumably tells Toutousai about the Shikon shard that's there, if his next question about such is any indication. Inuyasha says that, yeah, there might be one in that world, and Toutousai strokes his chin in a pensive way for a silent moment.

And by "no way", we actually mean "any way we can imagine because this story is not bound by logic or rules".

Inuyasha knocks Toutousai over the head, asking who exactly in this situation is the moron in irritation, but Toutousai tells him to think about this for a moment. He tells Inuyasha that the youkai graveyard he went to before is another world entirely that requires a specific path to get there (though getting back is apparently cake), and asks Inuyasha how he thinks a Shikon fragment would end up getting over there in the first place. From Toutousai's shoulder, Myouga adds that Kagome was there with Inuyasha the first time they went over there, accompanied by a recollection of her standing next to the platform Tessaiga in which Tessaiga was embedded while they were in the Inu-dad's stomach. Myouga says that Kagome didn't feel the presence of a Shikon shard when they were there. Sweatdropping, Inuyasha says that was before, but Myouga states his belief that it would be the same way now, bouncing back toward Inuyasha's face.

Catching and pinching Myouga between his fingers, Inuyasha yells at him to shut it - he's clearly not interested in being patronized to, still wanting someone to show him how to get back there. Myouga stutters that Inuyasha has to go see the jewel wizard Housenki in order to get back to that place, trying to hold Inuyasha's fingers away from him with his many arms. Inuyasha asks who the heck Housenki is, Myouga answering that he's an old friend of Inuyasha's father. Inu-dad was a real friendly dude, huh?

He "raises" them? What, like some sort of stone rancher? Sounds fun.

Cut to Inuyasha and Co. traveling in their usual way: Kagome riding on Inuyasha's back and the rest of them riding on Kirara's. Kagome expresses some curiosity over the pearl that was in Inuyasha's eye, asking if it was from this same source mentioned above, and Myouga, bouncing on Inuyasha's head, confirms that Inuyasha's father indeed got it from Housenki. Myouga is still a bit uneasy about this errand, saying that the youkai graveyard is a place for the dead to rest, not really a great place for the living to hang out. Inuyasha scoffs at this, and refuses to let Naraku to get to the Shikon shard before they do, so the place is still worth checking out to him. 

They arrive at a large lake in the valley between several forested peaks, and warily walk up to the shore. Myouga just blurts out a question to Housenki if he's there, though.

Don't expect Venus to pop out of there or anything. It cracks open to show a pair of eyes with vertical cat-like pupils, and a voice comes from it asking who is there and cut off any requests for jewels right away by saying there are none right off the bat. Kagome makes a confused noise, while Myouga jumps up and down on Inuyasha's shoulder, telling Housenki it's him. The owner of the eyes seems intrigued, recognizing the name, and the clam cracks open all the wider to show a pair of branching horns and a mustache-like pair of tendrils hanging over his mouth. He informs them that he's actually Housenki's SON, and his father recently died. An alarmed Inuyasha repeats the news like a question, clearly thinking this might have been murder.

Thankfully, he's wrong.

This guy is MASSIVE. Got a sweet house too. 

Kagome steers the conversation back to how Housenki Jr. said before that there were no jewels leading to the graveyard, and he confirms that this is true. Housenki Jr. says his dad used up all the jewels and then died, which seems oddly deliberate. Jr. over here just breezes past the obvious question of WHY and right to the fact that he's in the process of making new jewels. Inuyasha immediately demands that he be given one when they're done, and Myouga asks him if he didn't mean to tack a "please" on that request anywhere. 

Housenki Jr. hangs his head, saying it's not as though he WON'T give them one, but he does warn them that they'd have to wait a good while for it. Kagome promises eagerly that they'll wait, and Inuyasha asks how long it will take, only for Jr. to state that the wait-time is 100 years, sending both of them on  their ears. Inuyasha recovers fast to yell in Jr.'s face, demanding to know what's up with that. Housenki Jr. responds plainly that he's still in the middle of training and all, so it's implied that there's still a bit of a learning curve. From the edge of the clam, Sango comments on how youkai have a rather long-term view on things, while Miroku makes the disappointed remark that it was a waste of time coming here after all.

Inuyasha glares at his lap, cursing and wondering out loud if this is really the only way. Well, if it was, at least you wouldn't have to worry about Naraku getting the damn thing first. But Inuyasha is somehow under the impression that Naraku or Hakudoushi could be snagging that fragment before they can. 

Narrow sky transition panel!

No, none of those nasty wasps are bringing a Shikon shard, thank goodness. Hakudoushi appears to listen to the buzzing of one of the Saimyoushou that flies up to him (at a good third of his size, these things are NIGHTMARE huge, I can't get over it), and he responds with a generic "I see". Apparently, the information he got out of all that buzz was that there's currently only one way to get to the border between this world and the next - to force open the gateway. Hakudoushi is intrigued by this, for some reason. Doesn't seem any more interesting than an image of some guy using a battering ram to break down a door to me, but I'm sure I just don't know what I'm talking about.

Back with Inuyasha and crew, who sit around a campfire at night, Inuyasha is asking Myouga if he's SURE the nonexistent jewels are the only way to get where they want to go. Myouga says it's the only way HE knows of in any case. Another voice from the sky asks them if they'd like to be told how else to get in, and a massive gust of wind blow back Inuyasha and Kagome's hair as they stare in alarm at the descending informant. 

Inuyasha's selective nose fails them yet again.

Kagura wastes NO time in waiting for them to say they want her to spill, and tells them that Hakudoushi is headed for the mountains in the flame country, where there's a gateway between the worlds. Sounds close to Toutousai's place - he didn't mention he was neighbors with the graveyard, the stingy old jerk, lol! Inuyasha and Myouga both seem a little stunned by this insformation, the former repeating the location of this gateway as a question.

Miroku steps forward to demand an explanation of what this is, and why Kagura is telling them this. Kagura plucks a feather from her hair and drawls that she has no clue, suggesting he should ask Hakudoushi about that. Then she's off into the sky again, rapidly shrinking upward. Kagome is in some disbelief that Hakudoushi apparently told Kagura to let them in on this info. Miroku states the obvious that this might very well be a trap. 

Inuyasha scoffs, indicating that he doesn't much care if it's a trap or not, prompting Myouga to hop up and down in his hair and tell him he mustn't go. He insists the flame country isn't safe, even with the whole team. So I guess this ISN'T close to Toutousai's place? Inuyasha gives Myouga an exasperated look, deducing from how upset he's getting that this talk of a gateway isn't just a rumor, then smiles and says they'll just have to go in that case, no matter what Hakudoushi might be planning. Myouga is clearly even more alarmed at how he's managed to CONVINCE Inuyasha to go exactly where he's been told not to. Clearly he has no experience in dealing with teenage brats.

Cut back to Hakudoushi cruising along on Entei's back (his head collection missing from the giant horse's hindquarters), Kagura on her feather next to him.

Wow, this is the first instance where I'm seeing someone in this comic offer forgiveness to an enemy. Usually people declare that they WON'T forgive so-and-so. Sure, it looks like forgiveness comes at a hefty cost, but that's still something.

So, what did I think of this chapter overall? There's something funny and intriguing about how Inuyasha is butting heads with Myouga and Toutousai over whether he even NEEDS to check the youkai graveyard. Reminds me strongly of how, in general, older generations will actively refuse to listen to the younger ones on various issues because they insist that they know better. Myouga and Toutousai are so SURE that there's no possible way for a Shikon shard to make it over there that they won't entertain the idea, and call Inuyasha a moron for doing so himself. Inuyasha himself probably didn't have the patience to explain why he was willing to believe it himself (Naraku and Hakudoushi wouldn't be going to this much trouble to get there themselves if there wasn't a good chance a shard was there), and I have to say, at this point, I've reached that point as well. With some of the older folks in my life, I don't bother saying anything about most of the progressive and leftist causes I have a hand in, because it's not worth the energy I'd waste arguing about it. Good for Inuyasha, honestly.

I am mildly surprised that Myouga didn't have a THING to say about the very suspicious information they received from Housenki Jr. - Housenki using up the entire stock of portal jewels right before dying sounds a lot like he didn't want anyone to FOLLOW HIM. That's really the only reason that makes sense as to why anyone would basically seal the door shut behind them like that. With that bit of info ALONE, I am really surprised that not ONE of these characters had an epiphany about HOW that Shikon fragment ended up in the borderline between worlds in the first place, because that would explain it entirely. Guy's a jewel wizard, as the title said, he's unlikely to just ignore something like the Shikon No Tama falling into his lap. 

But hey, this is Inuyasha, where if characters don't magically divine the correct conclusion without any of the necessary information, they completely fail to deduce anything from a wealth of information they DO have instead. It's Opposite Day every day in here.

Inuyasha Manga: 297 The Borderline Between This World and the Next

I feel like I'm on the border between two worlds myself. Very similar worlds, mind you, with what looks like minimal adjustment, but separate worlds nonetheless. I recently started a new job with a new company in the same industry as my previous one, and they do things a bit differently; until I can get some consistent training and all my systems set up properly, I'm going to be stuck in limbo for a minute. Of course, I'm planning on making that full transition into that next world, whereas that would be a bit of a bummer for our protagonists. They definitely DON'T want to cross over into their inevitable future just yet!

It took you guys a while to give chase, didn't it? What happened, did you have to wash your hair and put on your fancy youkai-murder suits?

Kagome repeats the bit about the youkai with no head with worry, as if they weren't looking for just that, Shippou asking in turn if they're talking about Kanta's dad. Kanta himself stutters that this isn't good, an understatement if I've ever seen one. Because EVERYONE apparently has to speak on this matter, Sango reminds everybody how Kanta said he wouldn't be able to revive his father if the body was cut down, and Miroku calls to Inuyasha to hurry. Inuyasha agrees and assures them that the scent isn't too far off, but at this point he's picking up the scent of a conceited moron. About TIME you noticed.

They book it to the spot Inuyasha smells Kanta's father, over some jagged rocks up a hill, and see Kant's dad's body lying with several spears sticking out of its back in front of good ol' Sesshoumaru. Kagome gasps at the reveal, and Miroku identifies Inuyasha's brother, because they all needed the refresher? Sesshoumaru glares in their direction, his contemplation of a headless corpse interrupted so rudely. 

Of course, Shippou and Kanta are much more concerned by Kanta's father's body lying on the ground, the former making an alarmed noise from Inuyasha's back, and Kanta shrieks to his father in horror. He immediately jumps down from his ride and rushes over to tell his dad's severed neck to hang in there. It's Shippou who brings over the head, which he reminds Kanta of gently. Kanta struggles with the knot on the bindle in his panic. 

Miroku asks if it's no good, and Shippou stares at a watery-eyed Kanta clinging to his father's unresponsive nose. His wailing to his father begins anew, and Sesshoumaru awkwardly stands in silence for a moment to glance down at the agonized little creature. Then he turns to just walk off. What an asshole.

Inuyasha glares at his back for a moment before calling to him to ask why the hell he's even here, because Inuyasha says he's NOT going to believe that he was just passing by. Sesshoumaru pauses, looking over his shoulder to snobbishly remark that he has nothing to tell to the likes of Inuyasha. Kagome, who is now sitting with the kiddos next to Kanta's dad's body, calls out to Sesshoumaru too, in short order referring to his sword. Whoops, that's a... touchy topic at the moment, and not just because of the accidental SessKag suggestiveness, lol. She stands to run up next to Inuyasha, reciting the ability of Tenseiga to restore life, or "link" life, as the translator put it. Kagome pleads with Sesshoumaru to use Tenseiga to save Kanta's father. 

Sesshoumaru says it's not his concern, but he also doesn't move to leave again. This gives a trembling Shippou the opening to rush over in front of him on his tiny short legs, stuttering the whole way.

Asking a murderous stoner to save someone while also worrying that you might also end up a corpse has got to be the most stressful thing in the WORLD.

Kagome and Inuyasha say Shippou's name in pity, while Shippou continues to plead to Sesshoumaru, explaining that Kanta will be all alone if his father dies. I think Sesshoumaru is probably acquainted with the concept of a dead parent, Shippou. Sesshoumaru tells Shippou to move, but his eyebrows aren't drawn down in a glare; his expression seems strangely soft. Kagome comes to kneel down at Shippou's side and situate her arms in preparation to pick him up, trying to coax him away, but Shippou starts to protest.

Inuyasha tells him it's pointless, but Shippou does have his sympathies, because Sesshoumaru isn't exactly a caring do-gooder who goes around saving people, despite how frikkin' awesome that would be. He even speculates that the Tenseiga is useless scrap to his emotionless brother, who just glowers over his shoulder at Inuyasha. Miroku and Sango appear to recall that indeed, one without a caring heart shouldn't be able to use Tenseiga at all, and Sesshoumaru actually appears to confirm this assumption, saying it's just as Inuyasha says. What a liar. 

Suddenly, a pulse emanates from Tenseiga at his hip and he turns his glare to it instead, in time for it to pulse again, and crackle with some kind of energy that only he can sense, maybe. He silently complains yet again that Tenseiga is disturbed, and wonders why it seems to be urging him to help the strange otter youkai. He doesn't wait for an answer, probably because it's something to do in his perpetual boredom.

"Alright, I guess I can stand to NOT be a piece of shit. Because my sword told me to."

How's THAT for an innuendo?

Inuyasha somehow ended up behind Kagome and Shippou, and they all three look in question at Sesshoumaru. Much like with Shippou, Sesshoumaru tells Kanta to move, with the same soft expression. Eyes still streaming, Kanta looks up at Sesshoumaru with confusion. He must have backed off, because the next panel shows Sesshoumaru's unfocused, dreamy gaze on Kanta's dad's body, with which he can see the little imp-creatures from the other world crawling over it and prodding it with mini-spears. The ACTUAL spears aren't there, interestingly enough.

Sesshoumaru swings Tenseiga through all of the little creatures in one swipe, and the dissolve into nothing, as is the habit of everything truly dead in Inuyasha. Miroku gives this display a critical look, as does Sango in the back, and they wonder if he CUT something they can't see. For a moment, Kanta's dad looks just as dead as ever. 

IT'S ALIIIIIIIIIIVE!!! Just call Sesshoumaru Dr. Frankenstein. 

Kagome and Shippou look on completely astounded, gaping as a noise of disbelief comes from Kagome's mouth, but Kanta is just so overjoyed that his father is alive that his tears have returned as happy ones. Later, Kanta's sitting in his father's lap as the old guy is pulling spears and arrows from his body, expressing relief since he didn't think he would be able to come back at all. Miroku awkwardly asks him where he went, exactly, with Inuyasha peering at the resurrected otter next to him. He paints the picture of a world shrouded in white mist, jagged outcrops poking out from beneath it, much like Hakudoushi's own description of it. It was just his head floating around, as well as a whole host of other scary youkai heads too. Inuyasha suggests this was the other youkai beheaded by Hakudoushi, but this is ignored by Kanta's father, who wouldn't know who that is anyway. With Kagome still gaping at him, he says he dove beneath the mist and saw...

Don't worry, we don't stay with this little snot for a long time. By the next panel, we're right back with Kagome, Inuyasha and Kanta's dad, the former of which asks the latter about those giant skeletons. Kanta's dad confirms this, and adds that there were a great many of them. He wonders out loud if that's what they call the "next world", but switches to talking about how grateful he is that they saved him. 

Kagome perks up at this, suddenly remembering that Sesshoumaru is a person who exists, and turns to thank him too, but he's already walking away. Stuck around long enough to hear about the important bits, though. Sango absently reiterates that he's left, as if any of them should give a damn. I know I don't. As he's strolling off, Sesshoumaru thinks about Tenseiga and what it could possibly have been trying to tell him with THAT. He can't seem to imagine why he might bother with the place he just heard about. I mean, fair, it doesn't really hold GOOD memories for the guy. Lost his arm there and everything.

Hey, anyone know what happened to those villagers that were going to come up and murder the headless youkai they were so intent on getting? Did they get lost or give up or something?

Cut to Kanta saying his goodbyes to Shippou, and Shippou chirping that he's happy everything worked out for the best. Kanta's dad pats him on his little bewildered head. 

Awww, look at this comic being all wholesome and shit.

The girls stand and watch this scene with must be the warm fuzzies, and Kagome thinks this whole thing must have reminded little Shippou of his own dad. Well, at least it wasn't in a way that was refreshing his trauma.

The otters swim off in the body of water next to the farewell spot, and as Inuyasha and Co. start strolling off, Miroku brings up the things that Kanta's dad saw in his brief afterlife, saying that it's very likely Hakudoushi knows about these things too by now. Inuyasha agrees, looking serious. Sango asks what in the world that place could be, and Inuyasha admits after a pause that he thinks he might have been there before. Weird that he didn't include Kagome in this statement, but fine. Miroku seems surprised, asking if Inuyasha knows how they get there, and Inuyasha just affirms he does, not elaborating a bit. He just hangs his head, no doubt knowing how much of a pain in the ass this is going to be.

Kagome looks sideways at him, thinking he's had the same idea she did - white mist and giant skeletons, the borderline between this world and the next, it all points to one place that the reader has probably been screaming at them from beyond the fourth wall for several chapters now.

Can't wait to see the elaborate way they get in there and NOT the way they get out again, lol.

So, what did I think of this chapter overall? I like how this and the last one bring Shippou and his feelings about his father's passing to the forefront. Because he doesn't have a lot to contribute to most of the arcs in the main story, he all too often fades into the background, or even becomes an annoying commentator on the events to fill unused space. But this small arc helps to remind us not just that he exists, but he has serious trauma around his father's death, and helping another kid in a similar situation was a good way to help him resolve it, or produce a different, better outcome. Shippou is portrayed as empathetic and predisposed to helping others avoid his own situation.

Which is something that particularly struck me when he said to Sesshoumaru that Kanta would be all alone if he lost his father. Shippou ISN'T all alone, he's part of a group that cares about him and his well-being, but I got the impression there was a note of personal loneliness in there all the same. The Inuyasha group is NOT his father, nor the greatest replacement for him, given how much danger Shippou is in on the regular. There's a clear implication that while Shippou is grateful for his friends and how much they've done for him post-tragedy (he did gave some serious praise to Inuyasha's strength in the last chapter), he is still mourning the loss of his father that no one can really fill in for, and he hasn't had much of an opportunity to express that until now. 

Strange, since literally EVERYONE in this group has lost their father at some point, and in some pretty horrible ways. Even Kagome's father is absent, though the manga never goes into where he is. It's kind of a miracle the topic never came up between them, really.

Inuyasha Manga: 296 The Youkai With No Head

Chapter's going to have to be more specific. Judging by the size of the pile of stolen heads Hakudoushi had built on Entei's back at the end of the last installment, there's an awful lot of Youkai now walking around without a head. And without faces attached to them, literally, it's going to be kind of hard to tell them apart. But I suppose that it should be something of a challenge for our protagonists to follow one around in particular, given how dense they were acting in the previous chapter. Hopefully they can find another brain cell to help them out with the task!

One thing's for certain - they won't find that extra brain cell here. Sesshoumaru appears to be committing the exact same stupidity as Inuyasha, the brothers more alike than they would ever admit. But I chalk this up to Sesshoumaru wandering off on his perpetual high more than anything. 

Jaken broods in irritation about how Sesshoumaru has always been a bit reticent, but claims that ever since that moment Sesshoumaru failed to beat Naraku at Mt. Hakurei, watching the giant fart recede into the sky, he's just gotten more withdrawn. I don't exactly see how THAT would be possible, but if you say so, Jaken. When Jaken lets out a long, drawn-out sigh, thinking that Sesshoumaru could AT LEAST say where he's going we he slips off for a little him-time, Rin informs him that long sighs chase happiness away. Thanks for the tip, kid.

Elsewhere, and possibly another time (not sure if Jaken and Rin's campfire was at nighttime or if the forest was just too dense for much daylight to get through), Sesshoumaru stands on a hillside casting a somewhat irritated look into the mountainous distance. He silently complains that the sword is disturbed. Don't know why you're being pissy about it when you could just go off and have a wank somewhere like EVERYONE ELSE. 

Narrow solid white transition panel, and we're back with the Inuyasha group, headed by Miroku who is listening to the complaints of a couple village men with bandages wrapped around their heads. They tell him that they wish SOMETHING would stop rampaging around everywhere, and that it's fucking scary. Miroku asks for confirmation that the youkai they're talking about had no head, and they affirm as much, then tell him that they knew the man-eater was living up on the mountain before it's head got severed. Their words about not knowing who did the deed and pissed it off so bad, but it sure took out its rage by beating a lot of the villagers to death, are superimposed over the next panel showing a trail of felled trees in the forest.

Inuyasha and Co. stand at the edge of the forest where the trees are all broken and splintered, and Inuyasha says he doesn't need its scent to know where it went, the path it took being obvious to anyone. You think?? In fact, a hulking shape starts rushing at them from behind the few trees it DIDN'T break in half yet.

Inuyasha cracks his knuckles as he holds his claws up, commenting on how quick this sucker was to jump out at them. Still don't know HOW it could possibly tell they're there - vibrations or something? 

Before Inuyasha can actually put the thing out of its misery, a voice yells for him to stop.

While Kagome makes a noise like it's taking her a minute to process this new little creature, Shippou identifies it as a tanuki youkai cub. Uhhhh, are you sure there, buddy? A fist from the "tanuki's" supposed dad starts to descend on him, his eyes watering in anticipation of his impending messy death, when Inuyasha bolts in and scoops him out of harm's way just before the fist can connect. 

Inuyasha's good deed is of course accompanied with a bad mood, and he addresses what he ALSO seems to think is a tanuki with irritation, the object of his ire correcting him with the fact that he's actually an OTTER. Inuyasha brushes off his mistake to point out that the otter kiddo's supposed dad doesn't seem to look a thing like him. After all, even if there's no facial features to go by, the giant headless youkai is a different shade, furless, and pretty ridiculously large. On the prompted second look, the otter kiddo agrees that indeed it's someone else altogether with some alarm. Inuyasha says he's not sure how the kiddo could possibly mix them up, though he and Shippou are ones to talk, what with mixing up OTTERS and TANUKIS, and charges at the rampaging youkai with the promise that they'll talk about it all when he takes down the immediate threat. He then proceeds to rip through it like a slab of hamburger. 

After that's taken care of, the otter kiddo introduces himself as Kanta, and reminds them that they should probably be able to see he's an otter. I guess he doesn't trust them to keep this information straight. Kagome asks him about how he said earlier that the youkai they killed was his dad, and he answers by opening up the big bundle on his back.

Oh. Well, that's... Uhhhhhhhh....

Kanta flashes back to a river and waterfall where he and his father catching fish BEFORE his head ended up in a bindle on his child's back. Said child tells of someone showing up on a massive horse, a white kid perched on top with a naginata. Though Inuyasha, Kagome, and Shippou all repeat this description in alarm, they don't name Hakudoushi just yet. They let Kanta continue to tell the tale of his father's head getting severed and landing in the water while he hid behind some rocks in fear. Kanta says that his dad's head got swept away by the river and over another waterfall, but the kid on the horse just cursed and left, clearly too lazy to be bothered with retrieving it for his growing collection on the horse's back. Kanta had gone all the way down the bank to get his dad's head himself, but by the time he'd made it back to the spot, the body had gone missing. Shippou watches a tearful Kanta hug his dad's head with an open stare. 

Sango begins the statement of who has been lopping off youkai heads and leaves it for Miroku to finish, who concludes that there can be no doubt it's Hakudoushi. Kagome asks haltingly why, so Miroku recalls that Hakudoushi's baby form went around killing priests and monks in his search for the border between worlds, and suggests he might be doing the same thing now too. Kagome presents the use of youkai heads for the same end as a question, at the same time remembering herself that this is the guy who can look into peoples' hearts from the time he did the same to her. Inuyasha says that this seems possible, given that youkai are a bit hardier than humans and don't die as easily. I don't know, they die pretty easily when you tear through their guts with your claws, my dude. 

In the forested mountains, with Entei hanging out outside what looks like an abandoned temple somewhere (how many of these things ARE there anyway??), Kagura is perched on the railing along the porch. She looks over her shoulder to peer into the building where a pile a wheezing youkai heads are gathered on the floor.

Good luck making good on that threat, lol.

By the next panel, Hakudoushi has dropped this head back on the floor and stomped his little foot on its temple, telling it to shut up. Kagura asks in casual conversation if Hakudoushi saw anything, and he responds that they all look very similar, thinking on the world of white mist he's envisioned, with something scattered below that mist. 

Meanwhile, Inuyasha and crew are still conversing with little Kanta, with Inuyasha clarifying that the kid's idea is to find his dad's body and reattach his head. Kanta affirms that this is the plan, if they can make it in time, of course. Miroku makes an intrigued noise at this, and Sango asks if this means Kanta's dad will come back to life, with Miroku adding that this father of his must be pretty strong. Tearful again, Kanta hangs his head and says it's already been three days, and he won't be able to save his father if he's further cut down and dismembered. 

Inuyasha and Kagome look on with wide eyes, and then Shippou pipes up, telling Kanta not to worry because Inuyasha will go and save his dad. Inuyasha hums in question at this assertion while Shippou continues, vouching for Inuyasha's strength and that time when he helped to avenge Shippou's own father's death. Inuyasha actually appears to flush a little at the praise, and Kagome says Shippou's name in happy encouragement. Kanta seems skeptical though, asking if Inuyasha is REALLY that strong, and Shippou excitedly says that Inuyasha HAS to be, just to make up for how dumb and childish he is. 

This understandably earns him a whack to the top of his head, a vein popping in Inuyasha's fist. Kanta doesn't seem to really notice this, only just now going back to acknowledge that Shippou said his own father was dead. He grabs the smarting Shippou's hand to suggest that they be friends, calling Shippou a tanuki in the process. Oh, so it's just a THING that no one can tell the difference between a tanuki and other animals? Shippou snaps back that he's a fox with some irritation, no doubt building on his bad mood at being hit earlier. I mean, I don't know what he expected, really.

Narrow sky transition panel to a couple of women with their laundry at the side of a river. They look over in the direction of a splash. 

Now THIS looks more like little Kanta. 

Cut to a guy who's climbed an alarm tower to bang on a bell, shouting that it's a youkai attack. Other men rush along with weapons bundled in their arms, ready for distribution, yelling about the youkai with no head. This youkai only staggers a bit up the lane, not committing any kind of violence, but looking pretty intimidating and scary anyway. Spears and arrows start to fly at him, a couple of projectiles landing firmly in his chest and shoulder. Instead of attacking, he turns around unsteadily and starts moving in the opposite direction, knowing when he's not wanted, clearly. A man with a bow notes with some confusion that the youkai is retreating, but another man stutters an order to go after him, for some inexplicable reason. 

Inuyasha is leading his group down a steep rocky hill, carrying Kagome and Shippou on his back as Miroku and Sango follow on Kirara as usual, when he catches a scent with a curious sound. Kagome leans over his shoulder, having picked up on Inuyasha's reaction, asking if he's located Kanta's father. From this angle you can see Kanta and his father's head are also riding on Inuyasha's back. Inuyasha just affirms he's locked on in a serious tone, and Kanta is immediately excited. Inuyasha keeps to himself that the father's scent is mixed with that of blood, worried that someone injured his body, and questioning if they'll make it in time. 

He totally FAILS to mention quite another familiar scent he should be picking up too.

Kanta's dad managed to locate the ONE GUY who is 99% equipped to help him. Without the benefit of a HEAD. That's talent right there.

So, what did I think of this chapter overall? I'm not sure I quite GET the joke about everyone mistaking everyone else for a tanuki - there must be some context I'm missing here, because otherwise it seems oddly emphasized here. It might be playing off the joke that Kanta can't recognize his own father, but I always gave him a little leeway for that because the guy doesn't have a HEAD anymore, you know? The part of the body we always pay the most attention to when identifying a person? Whereas confusing an otter or fox with a tanuki just suggests that you need glasses. Apples and oranges, really. 

But I will say, I thought the part with Shippou extolling Inuyasha's virtue of strength and willingness to help a little youkai in need was exceedingly cute. I think this is really the first time he's acknowledged Inuyasha gave him a bit of vengeance for his father's murder, and it's not difficult for him. He doesn't hesitate or stutter or make any kind of excuse, just gives a pure and honest account of Inuyasha's admirable power and tenacity. Granted, he also says Inuyasha is very stupid, but that's just part of his open opinion on the guy, because he clearly didn't mean it as an insult. He presents this as a matter of fact, the whole truth on how Inuyasha HAS to be powerful or else wouldn't have made it as far as he has. 

Of course, Shippou is WRONG. Inuyasha is not dumb, or at least not as dumb as he's framed to be. But because these characters have flattened out a little over time, there has to be an archetypal smart and dumb one. 

I hope that Sesshoumaru isn't just here to be here again. I like him a lot, but he comes across as somewhat irritating when he's shoehorned into plotlines that shouldn't include him. Diminishes his mystique a bit. Thankfully, I don't have too much reason to side-eye this inclusion, since this IS a life-and-death kind of trajectory, the perfect little project for Tenseiga. Still, I'll keep a respectable skepticism. Sesshoumaru tends to be a victim of his own popularity, after all.

Inuyasha Manga: 295 White Child

Oh no, this is a trap and a half. The new kid is definitely monochromatic, on the light side, but there's hardly anything else we know about him. I mean, sure, he's a bit demanding, a bit entitled, considering how he ordered Kagura around. And yeah, he's also got that smirking, overly pleased-with-himself kind of look about him that you tend to associate with privileged little shits in public who know they can get away with anything. And of course there's the immediate acquisition of a huge flunkie to do his more brawn-based bidding. 

But I'm not drawing any conclusions until it's shown that he has no rhythm DAMMIT!

We're not going to mention all the dudes he killed in the process, then? Okay.

Miroku says that the ones who broke the seals (and committed the murders that we apparently don't care about) are Kagura and the baby, and Sango follows up with the information they received from before about the baby apparently being destroyed by the spiritual power of the last priest they offed. The kid on the horse scoffs that a mere human priest's spiritual power could never destroy him, and at last Inuyasha blurts out the conclusion that this kid and the bastard baby are the same person. Must have beat Miroku to the punch on that obvious announcement. 

The kid introduces himself as Hakudoushi, which is a relief, because my "Shnooky" name for him doesn't quite work anymore as a joke. Also, he characterizes himself as "the discarded white child of Naraku", which is just a bizarre description I can't make heads or tails of. Miroku addresses Hakudoushi with what he heard from the disciples about the kid searching for the border between this world and the next, and bluntly asks what is there that he wants, exactly. After a short pause, Hakudoushi chuckles that they should be looking for it too, implying that there's a Shikon shard there. Inuyasha parrots the part about the Shikon fragment while Kagura cruises up on her feather. 

She asks Hakudoushi if he should really be revealing their hand and this information like that, but Hakudoushi asks in turn if this is something they really need to hide. He says that it's "the more the merrier" in this little treasure hunt, and tells Inuyasha and crew that they should be thanking him for giving them a clue about it. When Miroku says that the rumor about the Shikon fragment appears to be true at least, Inuyasha scoffs again. He bares his fangs and admits he has no idea about the next world or whatever, but if there is a shard there...

Roaring away like a piece of junk rolling copious amounts of coal. Inuyasha yells at the brat to wait up, but the protective bubble pops out of sight in no time, and Miroku lamely states that they've escaped as Inuyasha curses in frustration. 

Though Inuyasha's group can't follow, we get a view of the massive horse with the small child astride it and Kagura riding on her feather next to them, where the latter asks what they're going to do now, specifically if they're going to keep killing priests or what. Hakudoushi tells her that's over, because apparently humans just aren't able to provide the information he needs. He recalls that just before he was cut in half, he saw some scenery of some jagged peaks poking up out of thick mist, and wonders if that could be the border between worlds he's been looking for. He wants to gather more knowledge about that world shrouded in white mist, and he thinks he needs a different tactic to gather it. 

Or rather, a different set of victims. 

After a narrow sky transition panel, there's a rustle among the trees in a forest, where a man with a basket on his back is running Scooby-Doo style from what looks like a bipedal boar with a skull necklace and a naginata spear, losing his hat along the way. The boar laughs as he chases him and the man shrieks about a youkai, right before the naginata slices from collarbone all the way to opposite underarm. The boar picks up the man's head and shoulder with another laugh, no doubt intending to add the skull to his pretty collection around his neck, when something whooshes above him and he looks up in confusion and alarm. A giant flaming hoof comes crashing down on his head and crushes it underfoot.

Kagura sees the naginata stuck blade-down in the dirt and grabs it to throw to Hakudoushi. I like to think that she hoped he'd miss and it would stab him good.

Too bad for her, he's at least coordinated enough to avoid a slice from this thing.

When they're flying again, Kagura asks him if he's sure that he can use that thing, and he snaps at her not to make fun of him. He then says he'd like to get used to this new body of his quickly. I guess Naraku passed his penchant for transmogrifying himself to the kid. Kagura makes a vague noise of false interest, while she really thinks that the brat isn't bothered by doing his own dirty work, unlike Naraku. I guess that's KIND OF a compliment? Not sure.

Another sky transition panel leads us to Miroku and Sango riding on Kirara through the sky. Sango is talking about how it's weird that they haven't heard of any more shrines or temples being attacked since Hakudoushi fucked off, and Miroku agrees, but adds that he's been feeling some strange energy spots since then as well, and quite a few of them. Apparently, this is the first time Sango is hearing about this, and repeats it to him in question format, asking for elaboration. I happen to think it's also weird that Miroku hasn't mentioned this before now. Seems like the weird is penetrating every level of this mystery. 

Miroku does indeed elaborate, though, saying that none of these feelings was particularly strong, but he's puzzled by the odd way in which they move. Like they're wandering around aimlessly or something. 

The two most vulnerable members of the group hanging out by themselves again? Why do these little snots NEVER learn their frikkin' lesson??

Point of fact, Shippou outwardly wonders where Inuyasha has gone off to, because apparently he just ran off without telling anyone why. Kagome does not find this the least bit objectionable, SOMEHOW, and says he just couldn't sit still for a while. Uhhh, sounds fake, but okay... Cut to Inuyasha, who's leaping through the forest cursing up a storm. He's pissy because there's no sign of that Hakudoushi brat, and also vexed by this vague business about the borderline between this world and the next. Irritated that running around through the woods with no leads whatsoever is not yielding any clues, he just seems to have a indefinable SOMETHING leading him on - you know, restlessness. 

Suddenly he catches a scent which he appears alarmed by. Then we cut back to Kagome and Shippou, because three guesses as to why, and the first two don't count. They hear a noise in the trees and Shippou hums in question while Kagome calls out to Inuyasha, assuming it's him. Then the trees splinter. 

Why didn't any of you see this coming from a mile away??? You should have at least been able to HEAR the damn thing!

Shippou shrieks, as usual, and Kagome jumps up (with a "STAND" statement right next to her just in case you were confused by her movements here or something) in alarmed confusion. Kagome has Shippou in her arms as he wails her name, ducking a close blow from the headless villain. Amazing this thing that has no eyesight, sense of smell OR hearing was able to get SO CLOSE to splattering Kagome all over the forest floor. Inuyasha, what's your excuse, buddy?

Inuyasha comes leaping out of the trees yelling for Kagome, and she calls back to him over her shoulder as she continues to sprint away from the headless ogre. Inuyasha rips more than halfway into its torso with his claws, and it goes down without any more fight. 

f

Wanders around without a head, but it takes one swipe to tear it in half? Am I or am I not supposed to have viewed this thing as a threat?

Inuyasha turns to ask Kagome if she's okay, and is immediately smacked in the forehead by an angry Shippou, who demands to know where the heck he went off to, leaving them there by themselves. A fair question that goes unanswered; Shippou rants about what might have happened with Kagome if he hadn't been around (implying he did a SINGLE thing other than scream) while Inuyasha holds him out by his tail, Inuyasha tells Kagome he's sorry about that whole fucking off into the woods thing, and Kagome says it's okay. Clearly she's not as concerned with Inuyasha's bad habit of just wandering off as she is curious in a horrified kind of way what this thing is and why it doesn't have a head. 

Sango and Miroku dive out of the sky on Kirara to the camp, the former calling out to Kagome, having completely missed the action. Somehow. Miroku is eventually asking for confirmation that this youkai didn't have a head to begin with, and Kagome responds in the affirmative. Sango asks Miroku if this could be that wandering evil energy Miroku was talking about before, Miroku saying that it's probz at least one of them. Yeah, you think? Inuyasha examines what's left of the youkai's neck, and comments of how it looks like it was cut with some kind of blade, but by a really sloppy guy. He sure is one to talk. 

Cut to the silhouette of tiny Hakudoushi perched on his massive steed and Kagura flying on her feather next to them. There's a mound of something highlighted toward Entei's rump.

What? Can't a kid have a collection? Some choose stamps or buttons, he's chosen demon heads. Seems legit.

So, what did I think of this chapter overall? Our entire cast of protagonists just took a whole bottle of stupid pills this time, didn't they? Between Miroku sensing odd youki and keeping it to himself, to Inuyasha leaving Kagome and Shippou by themselves, to the former shrugging this off despite a very RECENT history of being kidnapped and abused when Inuyasha disappears, there doesn't appear to be a single brain cell to share between them. Clearly, RT really needed this chapter to happen the way it did, to rob her characters of ALL their sense and make them perform the most idiotic actions in order to make it so, but I can't for the life of me think WHY. She could easily have written Miroku informing all of them of the strange energies he was feeling, led the team to the areas he was sensing them at, maybe with the aid of Inuyasha's nose smelling youkai blood on the decapitated menaces, and had a semi-surprise of two headless demons converging on the spot to keep it a little more exciting. That would have been so simple and LOGICAL, but RT went with this instead. 

I don't know why people ask her the most inane questions in interviews. I would be asking where her head was at when she wrote THIS nonsense. Goodness, what a train wreck. 

But at least I got to see that boar demon get stomped by a giant horse hoof. Kinda funny.