I've never been much good at cleaning. I get a little grossed out by it, and the sensations that come with touching/scrubbing grime. Because of this, I tend to put off cleaning up, and have had to come up with all kinds of strategies to motivate me to overlook my sensory disgust at the cleaning act. This week, I'm going to have to employ EVERY SINGLE ONE, and maybe come up with a few more, in order to avoid being completely mortified by a visitor swinging by. Thankfully, my husband isn't nearly as grossed-out by the process of cleaning as I am, so he's able to help me quite a bit, but it's going to take both of us to make the kitchen and dining area presentable, because there are corners there that are quite neglected. Lots of dust, lots of clutter, and a few stains that I've mostly forgotten about.
It's going to take a LOT more effort than a more functional adult would have to spend on the task.
Better than the herculean effort it's going to take to clean up THIS mess, though.
Sango and Miroku fly over the countryside on Kirara, the former commenting on how EVERYTHING has been covered by rats. Miroku reminds Sango of how she said that the rats only increase when cut, and she affirms this, expressing frustration that they increased so damn much that they can't tell where their source is. Miroku guesses that she means the zushi box, to which Sango responds that she's HEARD the rats will disappear if the box is destroyed. That sure is an uncertain statement as solution to a REALLY big problem.
Elsewhere, in the craggy side of a mountain, a bubble of a barrier bulges out of the mouth of a cave, where Inuyasha, Kagome, and Shippou hang out and wait. Shippou complains about how Sango and Miroku are late, and Inuyasha bitterly questions why he has to hang out inside the barrier too. Shippou suggests it's because Inuyasha would easily become frustrated and start swinging his sword around, only to increase the population of rats. Inuyasha gripes at the little brat for calling him an idiot, before Kagome points out something to Inuyasha on the other side of their protective barrier.
No surprise there. Kagome takes this as confirmation that Naraku was behind this Zushi Nezumi going out of control business, and Inuyasha scoffs that he always figured that was the case anyway. He adds that he didn't think Naraku would have died from the arrow, though there's a bit of a doubtful note at the end with a trailing "but".
Shippou announces that Sango and Miroku have returned upon spotting them outside the barrier, and once they're back inside, Miroku asks for confirmation that Kagome also saw they Saimyoushou. After she tells him she has, Shippou suggests that Naraku is searching for them to get revenge. Miroku is doubtful of this hypothesis, rather feeling that Naraku is pulling strings from behind the scenes in order to get someone to show themselves. Inuyasha asks what he means, as if there could be any doubt about it, and Miroku repeats that it should be obvious Miroku is trying to draw a certain someone out, they themselves being a possibility, but Miroku seems to pause before listing ANOTHER, more likely option. Inuyasha and Kikyou come to the conclusion to which Miroku is leading them at the same time: Kikyou. Kagome in particular lands pretty hard on the notion that Naraku's target is Kikyou.
Well done, kiddos.
And well done Naraku. As usual, he seems to be getting exactly what he wants.
The little manufactured child by Kikyou's side draws her attention to the sky, where the other little child, called Kochou, was flying toward them. Once near the ground, Kochou extended a branch of the Ogatama Tree that she was apparently instructed to retrieve. With a determined look, Kikyou accepts the foliage, and tells Kochou and her twin Asuka that they're going down the mountain.
What, to where the RATS are??
To where they WERE, anyway, a barren valley covered in abandoned wagons and skeletons that the rats had left behind them. Kikyou draws a perfect pentagram in the dirt with the tip of her bow, and sticks the branch she got from Kochou right in the center of it, like it's a miniature tree. Raising two fingers and concentrating on this little branch in the pentagram wordlessly, it starts to grow.
And boy DOES it grow in a hurry.
The rats surging over the ground suddenly start turning their heads, and then their bodies in a single direction, something that Inuyasha and Miroku notice from a the peak of a bluff somewhere. Inuyasha in particular appears astonished by this sudden gathering of the disorganized hordes. Kagome and Sango aren't far behind them, the former commenting on how they all seem to be heading for the same place, the latter agreeing that the flow is becoming one steady stream of rodents.
Miroku says hesitantly that somewhere a "mayose" could be being performed. Inuyasha repeats the term as a question, so Miroku explains that it's a way of bringing together and destroying youkai all at once, but it couldn't be done without a STRONG spiritual power.
I'm continually perplexed at how weak we're supposed to THINK Kikyou is, when she's out here doing shit like THIS. In front of God and everybody, as my father would say.
Kagome suggests to Inuyasha they go and check it out, with more than a TOUCH of irritation in her expression. Inuyasha says her name in response, as though about to argue, but Sango cuts in with her own plans to try and find out where the rats are coming from, and Kagome calls to her in curiosity. Sango elaborates that it's worrying her that the number of rats passing is increasing and the flow isn't stemming at ALL, meaning that the rats are still coming from their box. Miroku agrees with her implication that this won't be over until the source of the trouble is addressed.
So Inuyasha is carrying Kagome over the flood of rats toward where they are heading, Shippou tagging along on Kagome's shoulder and asking with a sweatdrop if Naraku will show up ahead too, if Kikyou is really there. Kagome can only really respond with a nervous noise, only just remembering herself that Naraku is after Kikyou's life. She's really SO consumed with her own personal drama that she's forgotten WHY Kikyou had to come out of hiding in the first place. GIRL.
Inuyasha tells Shippou it would have been better for him to go with Miroku and Sango if he is so scared of meeting Naraku, but Shippou snaps back that he can't do that, because then who would be there to comfort Kagome when he and Kikyou meet and a weird mood develops? In his overinflated righteousness, Shippou calls Inuyasha a two-timing dog, and Inuyasha adopts a glower and warns the little guy that he's liable to be dropped right into the teeming rats if he says one more word. Probably best to hold that tongue until you're NOT relying on this guy to keep you from being devoured alive, kiddo.
Kagome and Shippou gape at what they judge SEEMS to be a tree, but Inuyasha adds that it's reaching straight up into the sky. The branches are disappearing far past the clouds, and the rats, as Kagome observes, follow those branches ALL the way up and vanish right along with the top of the tree. The shadow this thing casts must be absurdly large. It would block out the damn SUN.
Meanwhile, following the stream of rats back the opposite way, Sango and Miroku fly over an obliterated village that Miroku judges was devoured some time ago, but he's not more specific about how long he thinks that is. Sango agrees, adding that the rats have forced a path through it. The point is that they seem to be traveling back to earlier sites of the destruction. Miroku mutters about how terrible this is, and Sango urges Kirara to hurry.
CONSCIOUSLY following orders just might be hitting different for Kohaku. He recalls Hakudoushi telling him that Kikyou has made a move, and as he's leaving to run and meet her, instructs Kohaku to stay here and watch over the zushi, warning him not to close the door on the little box. Kohaku even now puzzles over WHY the door should remain open when Kikyou has been lured out and its purpose is presumably fulfilled. It seems to be rhetorical, because he has already drawn the conclusion, with a look of disgust on his face, that Hakudoushi is ENJOYING the destruction of the rat horde.
Kohaku leans on the box, his hand near the door, thinking on closing it to stop the rats, how even now it COULD save some lives. But he's aware of the saimyoushou hovering nearby, and notes with a sweatdrop that he's being watched. If he closes it, he's SURE that he'll let Naraku know that he's regained his memory and autonomy. Quite the dilemma he's created for himself.
Suddenly his name is called, and he looks up to find Sango and Miroku hovering on Kirara above him.
And to top it all off, he just keeps breaking his sister's heart.
So, what did I think of this chapter overall? Kikyou's condition is very convenient to not interfere with the resolution of this rat problem. Miroku says himself that immense spiritual power is needed to create a "Mayose" charm, so I can't help but think, once again, that Kikyou can't be in THAT bad of shape right now. Perhaps it really IS just her physical condition that's still recovering from the corruption of Naraku's miasma river, but I should think even that would impact her ability to execute spiritual feats - I know that when I'M in extreme discomfort, I can't concentrate all that well on simple meditation. Granted, this is a pretty time-sensitive issue, and there's no one ELSE who can get rid of the sheer amount of rats that have been unleashed.
I suppose I still think that if Kikyou's condition is as bad as we're supposed to believe, she should also be FORCED to seek help, primarily from Kagome, because she would be the only one who might be able to pull off what is needed here. It's an obvious literary avenue that is FAR more interesting than the contradictory path that RT is taking here.
Good thing Kohaku is here to make up for the confusion around Kikyou's state with his much crunchier complexity. His current situation is no easy puzzle, and forces the reader to ask a lot of anxiety-ridden questions. How far would you go to get your shot at eliminating ONE guy? How many people would you let die? How many would you kill on orders? How much evil is WORTH IT? And how many of us would have whatever it takes to make this continual decision? Because every second, Kohaku is having to reaffirm his commitment to his plan. In full consciousness, he has to ask himself these very questions - when it's enough and how many sacrifices are justified on the altar of killing Naraku - every moment. And I don't expect the reaffirmation to be any easier over time, especially when so much of his newly regained consciousness has to be dedicated to convincing himself that it's all worth it.
It's true what they say.
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